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Unit 1: The Power of Narrative
Section 1.1: Introduction: Issues, Strategies, and Methodologies Section 1.2 Reading Film: Wayne Wang and Paul Auster's Smoke Section 1.3 The Language of Film
Unit 2: Literature and Film in at the Cross-Currents of History
Section 2.1 Approaches, Background, Theory
Unit 3: Film and Theatre
Section 3.1 Anton Chekhov and His Theatre of Everyday Life Section 3.2 Vanya: the Film Section 3.3 Theatre to Film: Theories
Unit 4: Novel and Film
Section 4.1 History, Approaches, and Theory Section 4.2 Virginia Woolf's Orlando Section 4.3 Woolf on Literature and Film Section 4.4 The Script Section 4.5 Sally Potter's Screenplay Adaptation of Orlando Section 4.6 Orlando: the Film
Assignment for Credit
Essay 1
Unit 5: Fairy Tale and Film
Section 5.1 The Fairy Tale World: Mme Leprince de Beaumont Section 5.2 Jean Cocteau's Beauty and the Beast
Unit 6: Film and Poetry
Section 6.1 Poetry and the Avant Garde Section 6.2 Breaking Down the Film Image: The Early Theory of Eisenstein Section 6.3 Maya Deren's Poetic Films
Unit 7: The Film Novel
Section 7.1 Nabokov's Laughter in the Dark
Essay 2
Final Examination